Silk has been crafted in Vietnam for centuries, where it’s treasured as a lightweight, luxurious fabric used in traditional garments and art. For Kenny Nguyen, who was born in Ben Tre Province and is currently based in Charlotte, North Carolina, the material provides the foundation for vibrant, large-scale wall works that combine elements of weaving and tapestries, garment production, painting, and sculpture. Using thousands of hand-cut strips of silk, Nguyen draws on his background in fashion design, employing techniques such as pinning, weaving, sewing, and layering to create what he describes as “deconstructed paintings.” Each work is created around a kind of imaginary body, its creases and undulating forms evoking movement and versatility.
“Undercurrent Series No. 10” (2026), hand-cut silk fabric, acrylic paint, and canvas, mounted on wall, 64 x 158 x 8 inches Even though the works appear fixed, they are actually very malleable. Every time a piece is installed, its undulations are determined by where the pins are placed, and it assumes something of a new version. This complements Nguyen’s approach to silk as a kind of “second skin,” he says, which adapts to its environment, represents memories and heritage, and serves as a metaphor for his personal identity.
Nguyen’s work is currently on view in Textile Art Redefined at Saatchi Gallery. See more on his Instagram. Detail of “Undercurrent Series No. 10” “Eruption Series No. 86” (2025), hand-cut silk fabric, acrylic paint, and canvas, mounted on wall, 69 x 53 x 8 inches Detail of “Eruption Series No. 86” “Encounter Series No. 62” (2025), hand-cut silk fabric, acrylic paint, and canvas, mounted on wall, 62 x 115 x 4 inches Detail of “Encounter Series No. 62” “Undercurrent Series No. 5” (2026), hand-cut silk fabric, acrylic paint, and canvas, mounted on wall, 67 x 112 x 7 inches Detail of “Undercurrent Series No. 5” Alternate view of “Eruption Series No. 78” Alternate view of “Undercurrent Series No. 10” Do stories and artists like this matter to you?
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